KING LY CHEE 荔枝王: Common Language

King Ly Chee (11 of 20)

Adolescence in California lends a steady diet of local music to ignite a fire inside the youth. From the first NOFX Oy! Oy! to last TERROR two-step, punk and hardcore music armed kids like me with something to make us feel alive. For many of us in the West Coast, this music is at the very least is the soundtrack to our angst, and at-times the crucible that forged an identity.

To watch a punk rock scene, then, is to take an honest look at what the local kids are fighting for and against, and what language it speaks.

So what’s the Hong Kong flavor of this genre? If you’re going to ask anyone here, it’s King Ly Chee, a band who, sixteen years strong, has undoubtedly formed what anyone could recognize as the HK hardcore scene.

Jing Wong: Tangled Up, Tango On

With his new ep, 生活的小偷, singer-songwriter Jing Wong offers a take on classic Cantopop, imbued with his jazz and Britpop upbringing.  These parts create a whole message for his Hong Kong.  On a surprisingly warm November noon behind the Clockenflap main stage, Jing lays out inspirations from and aspirations for a city he doesn’t wish to see leave so soon.

Jing Wong (2 of 4)

Christopher Tuazon: On any given Jing Wong tune, you play around with different genres.  What’s your musical foundation?

Jing Wong: When I went to university in London, my friends and I would mostly play a lot of Beatles covers. That’s one of the reasons why I wanted to go to there. I love Britpop.  Radiohead, Blur, Suede. Plus, when you’re in art school, you get to listen to a lot of weird shit, like Sun Ra.

CT: Pop and jazz definitely come through in your music.

JW: On my own, I’m more of a folk player.  But I love laying jazz riffs with the guys on saxophone and harmonica.  The connection is irreplaceable. Without words, we know where we’re going, and we go there together. It’s amazing. That’s what’s beautiful about Clockenflap, too.