Gattaca: An Achievement in Classic Style

Tony Shaloub as German

Timelessness and relevance are the two determining factors of what I believe to be classic.  Shakespeare’s universal hymns of the human condition keep his plays stacked in classroom shelves, and the Rolex Submariner will ever bequeath from wrist to wrist for generations – or as my father said when I asked if I can size his down to fit my wrist, “You’ll have to wait until I’m dead.”  When it comes my time to pass it on, I can’t wait to see it on my child’s wrist, the patina of a dial decades under the sun, belonging in a generation for which it was made to last.

The classic aesthetic is something I look forward to in all arts, most particularly film.  It’s fascinating to rewatch movies and see how they all age at different rates.  The neon tanks and acid wash of most films from my birth decade will always identify as eighties movies, yet others will age much more gracefully, if not at all.  I refer to the set wardrobe of movies because they place such a large influence in the aging of the film, which is why a 1997 film like Gattaca looks simultaneously like a 1957 film and 2017 film.

Well fine then, universe. It didn’t really fit that well anyway.

You can really enjoy an otherwise ordinary day with a new piece of clothing.  You know, something you got on a whim and begin a storied adventure of outfitting, hijinking and other nonsense.  Today was that day with a white Uniqlo linen long sleeve that the missus surprised me yesterday in order to combat the swampy days of late.  I emphasize was because on the way home from the dinner + movie date night, I felt a sudden itch inside my wrist, instinctively scratched it with my belly, and WHATTHEHELLAREYOUKIDDINGME.

Bloodbloodblood

This is why I can’t have nice things.

P.s.  If it wasn’t for it’s utility as the single organism that allowed Jurassic Park to be possible, mosquitoes would serve ZERO purpose on  this earth.

Making Good Hair

My first real hair crisis occurred sometime around sixth grade.  I should blame myself for this disaster, but I think it’s fair to place a bit of responsibility in the hands of the Backstreet Boys.

On a lazy Saturday MTV binge, “Quit Playing Games with My Heart” flashed on the screen for the umpteenth time, and a particular detail about the video caught my eye.

Quit playing games with my hair

I wanted that hair.  I didn’t rationalize or question it: I wanted the Caesar that swept across the nation in the late 90s along with frosted tips and coordinated dance moves.  However, with my straight and poofy Asian hair, I couldn’t achieve these curled bangs without some help.  Ensured that I was home alone, I went to my parents’ bathroom and plugged in my mother’s curling iron.  I fiddled with a device I’ve never used, pinched a tuft of hair in the clip, rolled, and singed my forehead with that awful, awful machine.  With equal parts shame and singey pain I hastily threw the iron back into the cabinet and lived with the rest of the day with one patch of curled bang, and the rest of the week with a patch of burned skin right below it.

On Heroes and True Death

Is it a uniquely male crisis to fear being forgotten?  Every stop of Derek Jeter’s farewell tour sizes up his contributions to the New York Yankees and his place in the club of men to throw on the pinstripes. As every POTUS before him, Mr. Obama is followed by debate of being remembered in history books as the “_______________” president.  Hell, every damnable act Lord Tywin orders is for the sake of the Lannister name (well at least he says).  So, if being forgotten is man’s fear, then how does man not become forgotten?  An easy answer, I think, is to be something bigger than man.

It’s here.

I’ve been a follower of Richard Linklater’s work since taking a chance on Before Sunrise.  Maybe it was still feeling (or not willing to release) the sting of a breakup at the time, but a film about two young people genuinely talking to one another and falling in love for two hours was an achievement in capturing the beautiful ups and downs of life.  And then Before Sunset came along, and the same couple of kids grew into weathered adults.  The voices and eyes between Jesse and Céline carried a staggering realness to their characters.  Film can harness the greatest of human emotions and experiences, and this is why I can’t wait for boyhood:

Ever since I first heard of this project a few years ago, I hadn’t a clue as to when to expect it, but here it is.  As much as I can’t wait to witness the unprecedented act of a protagonist actually maturing over the course in one film, I most look forward to Linklater’s take on the title subject.  I look on my own boyhood with equal parts awe, embarrassment, shame, triumph, confusion, horror, humor . . . you know, that whole bag.  Adolescence is a hell of a time for everyone, and we all could’ve used some sort of survival manual that started with “Relax, you’re going to be fine.”  I think this film will do something like that.

Ready the Montage

Valet 01
The valet. The grown-up organizer for the common boyhood fantasy.

I  am no morning person, and I’ve long accepted that.  After swatting at the snooze button for twenty minutes, the first challenge used to be what the hell I was going to wear out there, and a quick grab of workhorse pants and plaid or solid shirt would do.  That used to fly in the past, but now that my daily wardrobe choices are more deliberate, there’s too many moving pieces to scan the closet with crusted, half open eyes; mistakes a-plenty.  Then the missus and I started our Downton Abbey binges, and there I watched as was Mr. Bates dressed his Lord Grantham for dinner; as it happens often, I took my mind out of the storyline and into damn good suiting habits.  The valet, which I assume is named after the function of men like Mr. Bates, has been the foil to my low executive functionality for over a year now.  As much as I’d like to think myself as an adult and determine that I rely on my beautifully lacquered valet as tomorrow’s suit organizer, I look at it in a more vigilant perspective:

Now, I don’t intend upon cleaning up the city with swift kicks and monicker-themed gadgetry, but the effect is the same.  You step into the armory, look upon your work, contemplate the situation for which you are preparing, and suit up, man. Valet 02My advice when putting on each piece: find the right “suiting up” music; every mental montage needs a soundtrack.  I prefer The Dove Shack’s “Summertime in the LBC.”  That’s my morning viiiiiiiiiiiiiibe.

“Why do we do what we do when we do what we do hangin out late wit no curfew?”

Let me not to the marriage of true minds keep you up til 3am.

Ever since twelfth grade have I considered myself a night owl, not because I preferred the solitude afforded by a 3am curfew, but often because somewhere between my hygienic ritual and five minutes into sleep, a fleeting spark of inspiration will light me out of bed and into what I’ve been told is called flow.  Whether it was by pen or by fretboard, I would immerse myself until I finally noticed the clock passing hours by me.  And this was relatively fine . . . until I got married.  My poor wife had to teach weekend class at today eight o’clock and I was still at the computer at one, jotting down notes for a new article idea.  This wasn’t the first time this happened, but something finally clicked.

In marriage, you’re living as team whose membership will only grow – and I can’t wait for that.  But, whatever worked for me solo isn’t always going to work on the team, so as a good husband (and father), I must be constantly aware of the people for whom I am now responsible, trusted, and living.

“Love is not Time’s fool,” and neither should I be.  Just go to bed, and we can pick up the flow tomorrow.